發文作者:c.w. | 八月 23, 2007

阿巴多說

交響情人夢裡面有些高深莫測的音樂對話。其中一段是巴黎盧馬列首席說的「宇宙調和論」。不知道是不是翻譯還是怎麼一回事,這段老是看不懂。昨天報紙有阿巴多的訪問,其中一段大意約是:有這麼多厲害的樂手,不是要教他們怎麼詮釋音樂,而是要他們聽彼此的音樂。

還有段提到美國和歐洲樂團工作方法的不同。美國是時間到就要下班,歐洲是拉到「音樂」停止為止。看過漫畫的人,如果記得千秋團練得讓場地給市民芭蕾,應該知道這段話是只有阿巴多和他的頂尖樂團才說得出來的吧。

陣容也可以看一下:

It all means that you can’t quite believe who you are seeing when you look round at who’s playing in the Lucerne orchestra: the cellos, for example, are led by soloist and Rostropovich pupil Natalia Gutman, and Clemens Hagen and Valentin Erben share the second desk, cellists who usually play with two of the world’s finest string quartets, the Hagen and Alban Berg. Clarinettist Sabine Meyer and the sublime players of her wind ensemble take the principal slots in the woodwind, and the brass section is a who’s who of soloists from international orchestras. This is the Harlem Globetrotters of orchestral music, but unlike most ad-hoc groups of sporting stars, what’s astonishing is how this ensemble, who only come together for a few weeks every year, work so completely with and for one another.


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